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Enemy of the Sun

by Neurosis

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"Enemy Of The Sun opens with a sample from The Sheltering Sky, a 1990 film adopted from the 1949 Paul Bowles novel of the same name. It's a reminder of the transience of life: "Because we don't know when we will die, we come to think of life as an inexhaustible well. But everything happens only a certain number of times, and a very small number, really … and yet it all seems limitless."

Neurosis's choice of sample was prescient. Enemy Of The Sun stands at the beginning of one of the most fertile creative periods in metal history. It and its successors spawned an entire subgenre; it's so ingrained in the current metal scene that it's easy to take for granted. Still, 19 years after its release, Enemy Of The Sun remains a shocking listen. All of its disparate elements — mucky riffs, bad-trip electronics, violins and horns, Roeder's inexorable tom pounding — coalesce into a unified whole, held taut by the last of Neurosis's punk sinews. Most of these ideas appeared first on Souls At Zero, but here all of them work in harmony.

Enemy Of The Sun's other defining samples comes on "Burning Flesh In Year Of Pig" — a voiceover account of a monk burning himself in Saigon during the Vietnam War. That self-immolating intensity rages through this album, peaking as the whole band attacks Roeder's kit on closer 'Cleanse.'"
- Stereogum.com

credits

released September 17, 1994

Neurosis is:
Scott Kelly − guitar, vocals
Steve Von Till − guitar, vocals
Dave Edwardson − bass guitar, backing vocals
Simon McIlroy − keyboards, tapes, samples
Jason Roeder − drums
Pete Inc. − Live Visual Media

Additional musicians:
Kris Force – violin
Erika Little – voice
Paul Lew – horn

Technical personnel:
Neurosis − production
Billy Anderson − engineering, mixing
George Horn − mastering
Michael Whitney − artwork, cover design

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about

Neurosis

NEUROSIS is music. Music in the same way that Wagner is music. Or that it all comes down. Or the graying granite planet we call home is both the cradle and coffin of all desire and hopes and expression forces its way through us and into wires and out of speakers framing a journey from here to there and not back again. Ever. This is a one-way trip. ... more

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